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Emily Hermant Awarded $72,000 SSHRC Grant for New Project

Close-up of a sculptural surface formed from flowing, multicoloured cords, compressed into rippling layers that suggest movement and weight.
Emily Hermant, ‘Billow’ (detail), 2020/21. Collected and stripped communication wire, steel, gypsum. (Photography by Rachel Topham and Monte Clark Gallery / courtesy Emily Hermant)

The artist and ECU faculty member was awarded for Core Memories, a research-creation project exploring the crucial contributions of women in the development of magnetic core memory.

Artist and Emily Carr University of Art + Design (ECU) faculty member Emily Hermant has been awarded a $72,000 Social Sciences and Humanities Council (SSHRC) Insight Development Grant for her project Core Memories: Retracing the Fabric of Computing Technology.

The project will explore ‘magnetic core memory,’ an early computer memory system widely used from the 1950s to 1970s. The technology was “produced through intricate and laborious hand-weaving processes by largely unidentified women workers using copper wire and magnetized rings,” Emily says.

“Crucially, my focus on magnetic core memory will allow for the cultivation of new understandings of both the materiality of this technology and the labour required to create it, alongside developing a framework for understanding material histories through artistic production.

A person with shoulder-length hair looks downward while working in a studio, surrounded by blurred hanging materials and tools in the background.
Two adjacent panels covered in finely woven, multicoloured threads, forming a continuous surface with a subtle vertical seam at the centre.
(Top): Emily Hermant. (Photo courtesy Emily Hermant) | (Bottom): Emily Hermant, ‘Echo (Sabin),’ 2019. Collected and stripped ethernet cables on canvas. (Photography by Dennis Ha / courtesy Emily Hermant)

“In turn, this research project aims to illuminate the ingenuity and contributions of the women leading in the development of magnetic core memory and the textile technology they employed, which were critical to this particular technological advancement.”

Emily also received an SSHRC Explore Grant (SIG Explore) from ECU in support of the project. SIG Explore grants are administered by individual institutions to support research in its early stages, providing a bridge for faculty to apply for larger, national SSHRC grants.

As an artist with a background in textiles, Emily is no stranger to the connection between ancient tradition, modern technology and artistic output. Throughout her practice, she has produced works including Billow, Echo (Sabin) and Reflections on Geminid (No.1) from recycled telecommunications and data cables collected from salvage yards. Through this reclamation and advancement of material and technique, she pursues “themes of communication, gendered labour, technology and craft.”

A wide, rectangular textile composed of multicoloured woven bands, crossed by a bold diagonal shape that cuts through the layered surface like a shifting path.
Close-up of a woven surface made from short, dense strands of colour arranged in horizontal bands of purple, blue, yellow and charcoal, creating a rhythmic, tactile pattern.
(Top + bottom): Emily Hermant, ‘Reflections on Geminid (No.1)’, 2016. Collected and stripped telecommunication cables on canvas. (Photography by Clare Britt / courtesy Emily Hermant)

Emily aims to see Core Memories “form its own archive, rooted in material practice,” in addition to drawing inspiration from historical archives.

“This innovative method reimagines and rearticulates historical narratives through the lens of contemporary research-creation, bridging past and present through artworks.”

Emily looks forward to exhibiting her works as part of this research.

“Emily’s hard work in securing her first SSHRC grant will allow her to kick off an ambitious new research project. I cannot wait to see how it evolves,” says Justin Langlois, Associate Vice President of Research at ECU. “This is also a perfect example of how our SIG Explore grants can help support faculty to develop emergent projects that can be successful in national competitions.”

A tall, rectangular sculpture built from tightly layered, multicoloured threads, stacked in soft horizontal waves and standing upright against a white gallery wall.
Emily Hermant, ‘Billow,’ 2020/21. Collected and stripped communication wire, steel, gypsum. (Photography by Rachel Topham and Monte Clark Gallery / courtesy Emily Hermant)

Visit Emily Hermant’s website to learn more about her work.


More about Research at ECU

As one of the most research-intensive art and design universities in Canada, ECU connects art, media, and design practices with some of the most pressing questions of our time. At ECU, we believe our research can help to transform the world, build healthier and more vibrant futures, and cultivate cultural resilience throughout our local and global communities and industry partners. 

Visit our website to learn more.

More about Sculpture + Expanded Practices at ECU

Our unique Sculpture + Expanded Practices program offers a dynamic environment to explore traditional and contemporary sculptural methods.

Students engage with materials ranging from wood and metal to textiles and digital media, fostering a comprehensive artistic practice.

Visit ECU’s website to learn more.

By: Perrin Grauer