Shoora Majedian

Sessional Faculty and Continuing Studies Instructor

Availability:

Education:

MFA

Bio

Shoora Majedian holds an MFA from ECU, an MA from Tehran University and a Post-baccalaureate in Painting and Drawing from School of the Art Institute of Chicago. She received a Joseph Plaskett Painting Award and the William and Isabel Pope Artist Residency in Halifax. She has done residencies at Griffin Art Projects, received grants from the Canada Arts Council, BC Arts Council, and The Elizabeth Green Shields Foundation, and has exhibited in Berlin, Los Angeles, Tehran, Chicago, Toronto and Vancouver.

Websites:


Research Interests

Shoora’s painting research unfolds against the backdrop of her bi-cultural heritage, where personal and collective memory intersect with spatial and bodily constraints. Her work navigates the complexities of lived experience, probing the shifting boundaries between presence and absence, visibility and obscurity. Through this exploration, she considers the ways in which the body negotiates space, both imposed and self-determined, revealing tensions that are at once physical, psychological and historical.

Courses

Course Name Department Course Code Term
Painting PNTG 211 26/FA

Description

Focuses on painting from observation, with specific reference to both historical and contemporary aspects of traditional genres. A series of projects, introducing both acrylic and oil painting, techniques will allow students to explore the formal properties of colour, tone and composition. Through this process students develop critical skills, as well as their abilities to observe and describe.

Priority is given to CRCP and VIAR students in Year 2. Students outside of the registration priority group may register/waitlist for this course as of the registration rule release date.

Pre-requisites

No prerequisites.

Painting PNTG 200 26/FA

Description

This studio course will familiarize students with techniques and concepts in painting practice and discourse. Students acquire a technical grounding through the study of colour, composition, paint application, preparation of painting supports, and properties of paint. Assigned projects will focus on observational painting exercises and on a range of other contemporary and historical approaches to representational painting. Classes combine technical workshops, readings, discussions, and individual and group critiques. A diverse range of painting histories and practices will illustrate and contextualize course content.

Pre-requisites

No prerequisites.