Gabe Wong

Lecturer

Availability:


Courses

Course Name Department Course Code Term
Communication Design COMD 410 26/SP

Description

This team-taught course offers exposure to key aspects (values, concepts and skills) of 2D and 4D Design. Students independently engage in design research and methods, analyze, design, present and evaluate ideas to meet required objectives though individual and group projects. Discussion and reflection help students make informed decisions about their personal and professional development. Collaborative and contextual project work is emphasized in order to develop students' community-based multidisciplinary teamwork, project management and client management skills.

Pre-requisites

No prerequisites.

Humanities HUMN 101 26/SP

Description

Continuing with the development of modes of literacy and visual/textual analysis initiated in HUMN 100: Academic Core I, this course will prioritize how representation makes meaning, and how art, media, design, and textual practices participate in a broader social and political sphere. Analysis of both visual images/objects and texts from a variety of historical periods, from the 16th century to the present day, will be emphasized through shared case studies (from Asia, the Middle East, Africa, Europe, and the Americas), keywords, and themes. Throughout, an integrated approach to the humanities will be prioritized, involving the development of critical thinking, writing skills, and class participation and engagement. Combining weekly lectures and smaller breakout seminar sessions for art, design and media, students will be exposed to the specificities of a Humanities curriculum (drawing from Art Media + Design History, Visual Culture, English, Composition and Rhetoric, and Cultural and Media Studies), and to the conceptual and practical skills necessary for further courses in Critical + Cultural Studies, as well as their subsequent studies as a whole. As students persist in building the skill set necessary for critical and contextual inquiry, emphasis will be placed on processes of visual perception, the cultural meaning of images and objects, and their many intersections with knowledge, power, and technology. Throughout, students will be encouraged to situate their own practice in relation to a broader history of representation, in order to articulate their own perspective on what it means to participate in cultural production.

Pre-requisites

No prerequisites.

Humanities HUMN 101 26/SP

Description

Continuing with the development of modes of literacy and visual/textual analysis initiated in HUMN 100: Academic Core I, this course will prioritize how representation makes meaning, and how art, media, design, and textual practices participate in a broader social and political sphere. Analysis of both visual images/objects and texts from a variety of historical periods, from the 16th century to the present day, will be emphasized through shared case studies (from Asia, the Middle East, Africa, Europe, and the Americas), keywords, and themes. Throughout, an integrated approach to the humanities will be prioritized, involving the development of critical thinking, writing skills, and class participation and engagement. Combining weekly lectures and smaller breakout seminar sessions for art, design and media, students will be exposed to the specificities of a Humanities curriculum (drawing from Art Media + Design History, Visual Culture, English, Composition and Rhetoric, and Cultural and Media Studies), and to the conceptual and practical skills necessary for further courses in Critical + Cultural Studies, as well as their subsequent studies as a whole. As students persist in building the skill set necessary for critical and contextual inquiry, emphasis will be placed on processes of visual perception, the cultural meaning of images and objects, and their many intersections with knowledge, power, and technology. Throughout, students will be encouraged to situate their own practice in relation to a broader history of representation, in order to articulate their own perspective on what it means to participate in cultural production.

Pre-requisites

No prerequisites.