Annie Canto

Continuing Studies Instructor and Sessional Faculty

Availability:

Education:

BFA, University of Idaho
MFA, ECU

Bio

Annie Canto is a visual artist and educator living on the unceded homelands of the hənqəminəm and Skwxwú7mesh speaking peoples in Burnaby, British Columbia. The underpinnings of Annie’s socially engaged art practice use critical race theory and women of colour feminist theories to question the complex systems that govern our relationships.

Websites:


Research Interests

In comic, installation, social practice and print-based practices, Annie is interested in exploring experiences of social rupture and its flipside of kinship and belonging; misconnections, halting attempts, the fault lines, the absurd, all those unintentionally telling moments that expose the things we simultaneously fear and long for. Annie is interested specifically in how these moments are inspired by cultural histories and stories of migration. Alongside these art and teaching practices, Annie supports the creation of co-ops by and for racialized and migrant communities at Solid State Community Industries in Surrey, B.C.

Courses

Course Name Department Course Code Term
Community Projects CCID 200 26/FA

Description

This studio course offers students the opportunity to collaborate on a directed studies project initiated by a public interest organization such as a non-profit community group, charity, or a Non-Governmental Organization (an NGO). Projects may include websites, three-dimensional displays, community art projects, or customized visual presentations which may have elements from every discipline, including English and Critical Studies. Students from all year levels may take this course which models collaboration and vertical learning where knowledge and skills are shared among students, faculty, external research partners, and community group representatives.

Each section of this course runs with a different topic. See here .

Pre-requisites

No prerequisites.

Community Projects CCID 300 26/FA

Description

This studio course offers students the opportunity to collaborate on a directed studies project initiated by a public interest organization such as a non-profit community group, charity, or a Non-Governmental Organization (an NGO). Projects may include websites, three-dimensional displays, community art projects, or customized visual presentations which may have elements from every discipline, including English and Critical Studies. Students from all year levels may take this course which models collaboration and vertical learning where knowledge and skills are shared among students, faculty, external research partners, and community group representatives.

Each section of this course runs with a different topic. See here .

Pre-requisites

No prerequisites.

Social Science SOCS 302 26/FA

Description

This course offers the opportunity to critically engage with defined topics in the social sciences as they relate to ethics of representation by introducing methods and practices for building community relationships, cultural diversity and social activism. Specific historical, cultural and social contexts will be explored using approaches such as ethnography, documentary, social justice studies, critical disability studies, and environmental studies to broadly address ethics of representation in art, media and design practice.

Pre-requisites

No prerequisites.

Humanities HUMN 100 26/SU

Description

Focusing on issues and modes of literacy and visual/textual analysis, this course helps students to develop the tools necessary for reflective and engaged looking, reading, thinking, and writing about art, media, design, and text. Analysis of both visual images/objects and texts from a variety of historical periods, from ancient antiquity to the 15th century, will be emphasized through shared case studies (from Asia, the Middle East, Africa, and Europe), keywords, and themes. Throughout, an integrated approach to the humanities will be prioritized, involving the development of critical thinking, writing skills, and class participation and engagement. Combining weekly lectures and smaller breakout seminar sessions for art, design and media, students will be exposed to the specificities of a Humanities curriculum (drawing from Art Media + Design History, Visual Culture, English, Composition and Rhetoric, and Cultural and Media Studies), and to the conceptual and practical skills necessary for further courses in Critical + Cultural Studies. Art from the past and present will be grounded in a broader context, with emphasis placed on processes of perception and the cultural meaning of images and objects. The point is to interrogate how representation, both through its production and reception, becomes politically activated, and to develop the critical and theoretical tools to begin to deconstruct and acknowledge this process.

Pre-requisites

No prerequisites.

Foundation Studio Courses FNDT 173 26/SU

Description

This studio course expands on the foundational vocabulary, materials, and techniques of contemporary visual art with a specific emphasis on drawing, painting, and sculpture. Through interactive presentations, group discussions, and constructive critiques, students will delve deeply into the essential concepts and materials that underpin artistic practices. Through critical analysis and reflection, students will explore the utilization of these artistic concepts and principles, contextualized within social, historical and contemporary frameworks.

Pre-requisites

No prerequisites.