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Annie Briard

Lecturer

Availability:

Education:

BFA
MFA

Bio

Annie Briard’s photography has been the object of exhibitions at Royale Projects (Los Angeles), AC Institute (New York), the Quebec Biennale, Burrard Arts Foundation (Vancouver), MKG127 (Toronto) and Joyce Yahouda Gallery (Montreal). Group exhibitions have spanned The Three Shadows Photography Centre (Beijing), the Lincoln Film Centre (New York), the Switzerland Architecture Museum (Basel), the Canada Council for the Arts and the Vancouver Art Gallery. Her 2024 artist book The Glow of 100 Moons is distributed in Canada and the US.

Websites:

Research Interests

Annie’s research interests include photography, expanded photography, media art, installation, climate change and ecofeminism.

Courses

Course Name Department Course Code Term
Visual Arts Studio VAST 400 26/SU

Description

This Senior Studio (Open Studio) course provides students with the opportunity to propose and develop a self-directed body of work. Sections are taught by a singular faculty member or offered in a team-taught model with the option of discipline specificity. Whether through assigned projects, artistic production, research, discussions, writing and critique, students are expected to increase their understanding of the content and context of their process and production as well as their knowledge of contemporary art. Students meet regularly for group seminars as well as in one-to-one tutorials with their instructor(s). Critiques and discussions complement studio production where considerable independent time and maturity is expected.

Pre-requisites

No prerequisites.

Visual Arts Studio VAST 410 26/SU

Description

This course provides students with the opportunity to propose and develop a self-directed body of work. Sections are often offered in a team-taught model with an interdisciplinary focus. Through artistic production, research, discussions, writing and critique, students are expected to increase their understanding of the content and context of their process and production as well as their knowledge of contemporary art. Students meet regularly for group meetings as well as in one-to-one tutorials with their instructor(s). Critiques and discussions complement studio production where considerable independent time and maturity is expected.

Pre-requisites

No prerequisites.