Tatiana Mellema

Sessional Instructor

Availability:

Education:

BA, Art History and Political Science (Honours)
MA, Art History
PhD, Art History and Theory

Bio

Tatiana Mellema holds a PhD in Art History and Theory from the University of British Columbia. Tatiana is an art historian of twentieth century art, Marxist feminism and critical theory. She also works as Curator of Outdoor Art at the Morris and Helen Belkin Art Gallery, and has worked at art institutions across Canada, including the Vancouver Art Gallery and The Banff Centre.


Research Interests

Tatiana’s research work focuses on the critique of institutions, gender, sexuality and labour in art history post-1960s. She is developing a book on how artists of the 1970s centered socially reproductive labour in the museum-gallery nexus. Serving as a corrective to historical discourses of institutional critique, this project looks to artworks that have relied on embodiment as critique, challenging gender and race as an abstraction that is made operative in the question of value for capital. Her current projects include articles that look to the practices of Senga Nengudi and Mary Kelly and their engagement with socially reproductive labour. She will also be presenting on social reproduction and queer socialities at the conference The Grand Transition in May 2025 organized by the Historical Materialism Network. Through her curatorial work she seeks to collaborate with artists whose practices address the extraction of value from land and labour. Recent projects at the Belkin have included the panel Monuments (2025) and the podcast Spill Radio (2019).

Courses

Course Name Department Course Code Term
Art History AHIS 210 26/SU

Description

This course will address global visual art production since 1950, with an emphasis on Europe and North America. Beginning with the emergence of High Modernism in a context of cultural production after World War II, the course considers major art historical movements. Different art practices and aesthetic theories will be examined in order to foreground the complex relations that exist between art objects and practices, and specific theoretical, cultural, and historical contexts. Topics may range from: the role of art in consumerist society, the dematerialization of the art object, the shift from late-Modernist to Post-Modern sensibilities, and questions of identity and subjectivity. Throughout, students will be introduced to a range of theoretical and methodological models which foreground formal investigations, philosophical inquiry, and social and cultural analysis.

Pre-requisites

No prerequisites.

Humanities HUMN 305 26/SU

Description

This course offers the opportunity to explore specific issues and texts in the humanities. The issues and readings will vary but, students will gain a better understanding of contemporary thought and methods in philosophy, history, or literature, especially as they relate to critical issues in art and design.

Each section of this course runs with a different topic. See here .

Pre-requisites

No prerequisites.