Sara Khalili

Instructor, 2D + Experimental Animation

Availability:

Education:

BA, Visual Communications
MA, Animation
Graduate-Level Diploma in Art Therapy (in progress)

Bio

Sara is an animation artist, storyteller and poet. She holds a BA in Visual Communications and an MA in Animation from Tehran University of Art and is nearing completion of a degree in Art Therapy. She has been a longstanding faculty member in the MA Animation department at Tehran University of Art. Sara has supervised over 70 practical and theoretical animation theses. She has directed short animations, written scripts and contributed to numerous animation projects and workshops.


Research Interests

Sara’s research explores the theory and practice of creative storytelling and narratology, ranging from classical three-act drama to experimental and avant-garde practices, including improvised and spontaneous forms of expression and their therapeutic applications. She has shared research at Society for Animation Studies conferences in Canterbury, Singapore, and Montreal, as well as other international venues. Her topics have included improvisation, experimental animation, drama therapy, short animation, comedy, animation narratology and Aristotelian studies. Sara has served as an Advisory Board Member for the Bloomsbury Film and Media book series Animation: Key Films/Filmmakers. An important part of her academic foundation stems from her MA thesis, A Kinetic Study of Single-Shot Animation. She is interested in long-take cinematography and how narrative design, long-take mise-en-scène, and story-world interact with animation and VR, foregrounding their empathetic and sensuous dimensions. She is nearing completion of a graduate-level degree in Art Therapy at VATI and is actively exploring interdisciplinary intersections across process-based animation, narrative, and art th

24/25 Courses

Course Name Department Course Code Term
2D Animation 2DAN 310 26/SP

Description

Students will undertake the production of a semester-long animation project, either individually or as collaborative teams. They will carry their concepts and vision through the stages of pre-production, production and post-production, creatively and practically engaging their animation skills and advancing the level of their craft. Students will present regularly on their progress and participate in peer reviews in order to give and receive feedback on production progress, artistic direction, and technical details of their work. Concurrently, students will explore and develop material for their 4th year project, resulting in a proposal to be presented at the end of the semester.

Pre-requisites

No prerequisites.

Animation ANIM 223 26/SP

Description

In this course, students explore the fundamentals of character design for animation, working with the elements of characterization, design, performance, movement, appeal, and anatomical structure in the creation of their own characters. Dimensional and flat stylizations are examined through construction of structural drawings and shape-based techniques. Through practical application, students contextualize the impact of body language and facial expressions on character design. Research and discussion consider the differences between concept art and production artwork, the basics of colour theory, the development of design styles in animation history, and the role representation.

This course is subject to priority rules; see here.

Pre-requisites

No prerequisites.

Animation ANIM 223 26/SP

Description

In this course, students explore the fundamentals of character design for animation, working with the elements of characterization, design, performance, movement, appeal, and anatomical structure in the creation of their own characters. Dimensional and flat stylizations are examined through construction of structural drawings and shape-based techniques. Through practical application, students contextualize the impact of body language and facial expressions on character design. Research and discussion consider the differences between concept art and production artwork, the basics of colour theory, the development of design styles in animation history, and the role representation.

This course is subject to priority rules; see here.

Pre-requisites

No prerequisites.