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New Exhibition Spotlights Works by Women Artists from MediaSonyo Collective in Korea

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(L to R): Artists Sey Min, Seohyo and Yaloo with Yaloo’s work Roo (2024) at the Libby Leshgold Gallery in September 2024. (Photo by Perrin Grauer)

By Perrin Grauer

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Now on view at Libby Leshgold Gallery, Generation that Generates: as above / so below highlights the strength of female artists in emphasizing narrative at the intersection of art and digital technology.

A new exhibition at the Libby Leshgold Gallery at Emily Carr University of Art + Design (ECU) showcases the works of three artists from MediaSonyo (미디어소녀), a Korean collective forged in the heart of Seoul’s art and tech community.

Titled Generation that Generates: as above / so below, the show features work by artists and MediaSonyo members Seohyo, Sey Min and Yaloo. Operating since 2023, MediaSonyo has created space for women to work across media by providing networks, knowledge exchange, and communities of support.

“MediaSonyo was established to create an environment where Korean women media artists could receive more recognition,” says Sey Min. “In particular, we wanted to move away from the trend where technology-focused works often appear as mere showcases of advanced technology. Instead, we aim to highlight the strength of female artists in emphasizing narrative.”

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Sey Min with her work Tectonic Movements (2024) at the Libby Leshgold Gallery in September 2024. (Photo by Perrin Grauer)

Yaloo adds that many artists in Seoul’s media arts field have backgrounds in engineering and design.

“Despite this, there’s a significant gap between the two worlds,” she says. “Many of my peers in media art are also active in academic electronic art conferences, design/tech fairs, and audiovisual festivals, which has been eye-opening for me in terms of seeing where else art can go.”

Spring-boarding from this rich creative environment, the works in Generation that Generates explore the intricate relationships between the generation of ideas and generative computational processes.

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Yaloo with her work Roo (2024) at the Libby Leshgold Gallery in September 2024. (Photo by Perrin Grauer)

“The algorithm I’ve created follows simple, consistent rules, generating images that are constantly changing and evolving,” Seohyo says of her 2024 work Shapescape Generator, which appears in the show. “This mirrors the concept of interconnectedness across different levels of reality—how a set of small, controlled decisions within the code can lead to an infinite variety of outcomes, much like how the micro influences the macro, and the individual shapes the collective.”

The exhibition encourages viewers to inhabit their bodies and sense (rather than see) the generation of profound content and ideas in real time and space, using spatial design as a conduit for interpreting data.

“Spatial design plays a crucial role, transforming the digital into something that can be physically navigated and interacted with, blurring the lines between screen and space,” says Yaloo. “I am genuinely curious to see how the community here in Vancouver will perceive and interact with the works.”

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Seohyo with her work Shapescape Generator (2024) at the Libby Leshgold Gallery in September 2024. (Photo by Perrin Grauer)

Generation that Generates: as above / so below runs through Nov. 10 at the Libby Leshgold Gallery at ECU. Gallery hours are noon until 5 pm, seven days a week. Attendance is free and open to the public.

Visit the gallery online to learn more about their exhibitions, resources and programming.